The area around Haarlem is a wonder place to bike ride. In fact, the bulb fields that I crisscrossed so may times during March and April are not far from Haarlem. Last week I rode through the beautiful--and very wealthy--communities of Aerdenhout, Overveen, and Bloemendaal. The roads were lined with trees and ran past cow pastures, mansions with real thatched roofs, and vistas with St. Bavo's Church in the distance.
The mansion of mansions in these communities is called Landhuis Elswoud. Its grounds are so extensive and the renovation required for its three-story manor house is so extensive that currently the estate is unoccupied.
So the public can wander through the meadows around the house, feed the deer, attend wedding receptions in the orangerie pavilion, and hike through the forest.
Doesn't this look like a Monet painting? It could be called Waterlilies Number 350, only without the lilies! It was a beautiful day at Landhuis Elswout, and the sun illuminated the ponds so brightly that you could see the leaves of the lily pads growing under the water.
There were also fields with sheep and goats grazing by the canals. It was such a peaceful, idyllic place. This is the kind of estate where you can go for a "walk in the garden" before dinner each day and not repeat the same trail for weeks!
Haarlem's network of sand dunes runs through Elswout, creating "veritable mountains" by Dutch standards!
Early spring foliage and a wooden bridge over the canal.
This is a view looking through the forest with the trees reflecting in the canal.
The next few pictures are also from the Haarlem area but several weeks earlier. This is a canal in the city of Heemstede lined with blossoming trees. Every now and again I remind myself that people actually live in these beautiful cities and sail their little boats down these canals!
These black water birds make their nests in the middle of the canals. A few weeks ago I saw little chicks with their parents, swimming around their nest like an island in the water.
The rhododendron flowers have just about finished blooming, but they were really spectacular while they lasted.
Traditional wooden windmills aren't used anymore in the Netherlands, bu there are still lots of them scattered throughout the country. They are carefully preserved and some are operated on a limited basis. This windmill in Haarlem dates from the seventeenth century. It is called the "Eenhoorn," or "Unicorn," and it cuts wood!
When the wind blows, an elaborate system of wheels operates this saw, and it cuts through the timber.
It cuts faster or slower based on the speed of the wind. There's a special emergency rope you can pull to stop the wheels in case your hand gets in the way! Somehow I think that even with the quickest reaction time, you would still lose at least half a hand!
Inside the windmill there are all kinds of beams that rotate as the wind blows. It's like being inside a giant clock. The force of the wind and the turning of all the wheels caused the building to shake continually. It was like a constant earthquake.
And finally, I also saw a reconstruction of Noah's Ark in Haarlem! A Dutch man decided to try to build the ark according to the specifications in the Bible, and here is his interpretation!
Saturday, May 28, 2011
Tuesday, May 24, 2011
The Guillotine Comes to the Bulb Fields
The spring in Holland this year has been unusually warm, and that was bad news for the tulips. I could tell that we were getting to the end of the season, and so I went on another long bike ride one evening. I took the same path that my sister, her friend, and I rode along when they were here. After going through a little village, I came to the concrete bridge for the train, passed underneath, and got ready for the stunning spread of orange, red, and pink tulips.
But what did I see instead? A massacre! The guillotine had come to the tulip fields! I had been warned this would happen--one day, the family I live with had told me, while the tulips are still in their prime, the farmers will suddenly and without warning behead them all. The only evidence that remained at the scene of the crime was thousands of petals scattered between the rows and a few flowers here and there that had escaped.
It was really sad riding by so many empty fields. There were still some stretches of land, though, that hadn't yet been "condemned to the block" by the Queen of Hearts. So I got a few more pictures of Holland's bulb fields, including a number of mournful scenes with the sun setting over the last of the tulips!
I thought this field was particularly amazing. The sun was setting while I was standing here, and it was close to the same color as the tulips.
It's as if the colors in the sky are reflected, not only in the canal, but in the stripes of the field as well.
And here is the end!
But what did I see instead? A massacre! The guillotine had come to the tulip fields! I had been warned this would happen--one day, the family I live with had told me, while the tulips are still in their prime, the farmers will suddenly and without warning behead them all. The only evidence that remained at the scene of the crime was thousands of petals scattered between the rows and a few flowers here and there that had escaped.
It was really sad riding by so many empty fields. There were still some stretches of land, though, that hadn't yet been "condemned to the block" by the Queen of Hearts. So I got a few more pictures of Holland's bulb fields, including a number of mournful scenes with the sun setting over the last of the tulips!
I thought this field was particularly amazing. The sun was setting while I was standing here, and it was close to the same color as the tulips.
It's as if the colors in the sky are reflected, not only in the canal, but in the stripes of the field as well.
And here is the end!
Saturday, May 21, 2011
Three Cathedrals in the French Countryside
The was no school the first week of May because the Netherlands has three holidays close together--first the Queen's Birthday, then a day to honor the War Dead, and finally Liberation Day, celebrating Holland's freedom from Nazi occupation. On the Queen's Birthday I watched Queen Beatrix and the Royal Family visit the southern part of the Netherlands on T.V. They also played clips from the Royal Wedding in London, and the contrast was unbelievable. The Dutch Royal Family takes pictures with people in the crowd, samples local products, and tells jokes. The English Royal Family, on the other hand, are removed and aloof--"frigidly majestic." During the week of holidays I also went on a road trip to Paris with a friend from Church who needed help picking up his mother-in-law's car and driving it back to Holland. I was, of course, happy to help--especially when I found out that we could stop at several cathedrals in the countryside on the way!
We had to stop in Lille first, just over the French border with Belgium. We only had an hour, but I made good use of the time. The last time I was in Lille I went to the art museum, but they closed off the medieval collection before I had gotten a chance to see it. I was really grateful to go again and finish looking at the Flemish sculptures and altarpieces. After leaving Lille, we drove to the Cathedral of Notre-Dame d'Amiens. Many of the finest Gothic cathedrals in the world are located in the cities surrounding Paris, and the Cathedral of Our Lady in Amiens is one of the most spectacular.
It is covered in a profusion of sculpture--images of Old Testament prophets, apostles, saints, martyrs, angels, the Virgin Mary, and the Lord stand on pedestals, look down from niches, and crown the peaks of gables.
Over the central entrance to the cathedral, the Lord lifts his hands in judgment as the Virgin Mary and John the Beloved plead for the dead who rise from their graves in the lower registers. Think of all the people through the centuries how gazed at these carvings as they entered the church to pray or to hear mass.
Here is a row of apostles in the jambs near the main entrance. I am studying a painting that was created for Amiens Cathedral, and seeing the arrangement of the statues at one of the other entrances gave me some new insights on the painting.
At the back of the cathedral, the buttresses are rimmed with gargoyles.
This is a beautiful statue of the Virgin and Child on the south transept entrance of the cathedral. We get so used to thinking of Gothic architecture as monochromatic gray stone that we forget that medieval cathedrals were often brightly painted originally. At Amiens many of the statues still have traces of color, like this one. After seeing the cathedral, we ate gallettes, a French specialty. They are like savory crêpes but more crispy. I tried one filled with sausage from Brittany, Dijon mustard (with much more horseradish than the American version of Dijon mustard!), and cheese. I also tried one with ham, egg, and Camembert cheese.
We got into Paris late that night, and I got to see the Eiffel Tower and the Arc de Triomphe lit up as we drove into the city. The next day we picked up the second car and started the drive back to Holland. I was a little uneasy driving in Paris, and for good reason! At least I didn't have to deal with unbelievably narrow medieval cobblestone streets like you have in many European cities. Even in the center of Paris there's aren't many of those since Emperor Napoleon III bulldozed them in the nineteenth century. Leaving Paris, we drove through little towns, past crops, fields of grass, and fields with yellow flowers, and then we stopped at the Cathedral of Notre-Dame de Soissons.
A friend of mine who is a doctoral student in French Gothic art and architecture specially recommended Soissons to me. It is a beautiful cathedral, and, as she pointed out, the walls are made of some kind of stone that almost seems to glow in the sun.
The nineteenth-century Gothic-Revival author, Chateauxbriand, compared the soaring piers and colored light of French cathedrals to a deep forest. When you enter one of these buildings, it does feel like you have stepped into the grandeur of a forest, especially with the purple and blue stained glass, like the evening light and shadows in the woods.
Vaulted side aisles. After leaving the cathedral, we ate gallettes again and also a chocolate and almond crêpe.
Not far from Soissons is Laon. The medieval heart of the city is tightly packed with stone buildings, narrow streets, city squares, and crooked alleyways--all winding their way up a hill to the massive Cathedral of Notre-Dame de Laon. We walked around the back of the cathedral first. Here are the heavy towers on the western front, near the entrance portals.
And here is the facade of the Cathedral of Our Lady of Laon.
I learned to tell Laon Cathedral from the other Gothic cathedrals by looking for the stone oxen that gaze down from the towers. No one is completely sure why these oxen decorate the church.
The sculptures surrounding the entrance portals has been heavily restored--no traces of medieval paint here! I think this is Abraham about to sacrifice Isaac, and holding him by the hair!
And here is a hippopotamus gargoyle!
As with most Gothic cathedrals, only a little of the original stained glass has survived. As a result, the interior is well illuminated with white light.
I'm very proud of this picture. It is the eighteenth-century altar screen cordoning off the choir from the rest of the church with the eastern rose window in the background. The secret to getting great photographs is to take pictures in Gothic cathedrals! You can't help but have fabulous photos!
The high altar.
The elevation of the side walls rises in four tiers.
The side aisles.
This is the cloister adjoining the cathedral. The canons of Our Lady of Laon once walked this corridor on their way to the altar to pray the daily offices.
It was a good five hours from Laon back home. I listened to the radio in French, then in Flemish, and finally in Dutch! We stopped in the southern, French-speaking region of Belgium to walk around a little. The gas station looked out on this field of cows. I was so grateful that I didn't have a problem getting sleepy for the drive--at least not for most of it! For the last half hour I had to open all the windows and turn the volume way up on the radio--blaring Baroque music on the Dutch highways late at night!
We had to stop in Lille first, just over the French border with Belgium. We only had an hour, but I made good use of the time. The last time I was in Lille I went to the art museum, but they closed off the medieval collection before I had gotten a chance to see it. I was really grateful to go again and finish looking at the Flemish sculptures and altarpieces. After leaving Lille, we drove to the Cathedral of Notre-Dame d'Amiens. Many of the finest Gothic cathedrals in the world are located in the cities surrounding Paris, and the Cathedral of Our Lady in Amiens is one of the most spectacular.
It is covered in a profusion of sculpture--images of Old Testament prophets, apostles, saints, martyrs, angels, the Virgin Mary, and the Lord stand on pedestals, look down from niches, and crown the peaks of gables.
Over the central entrance to the cathedral, the Lord lifts his hands in judgment as the Virgin Mary and John the Beloved plead for the dead who rise from their graves in the lower registers. Think of all the people through the centuries how gazed at these carvings as they entered the church to pray or to hear mass.
Here is a row of apostles in the jambs near the main entrance. I am studying a painting that was created for Amiens Cathedral, and seeing the arrangement of the statues at one of the other entrances gave me some new insights on the painting.
At the back of the cathedral, the buttresses are rimmed with gargoyles.
This is a beautiful statue of the Virgin and Child on the south transept entrance of the cathedral. We get so used to thinking of Gothic architecture as monochromatic gray stone that we forget that medieval cathedrals were often brightly painted originally. At Amiens many of the statues still have traces of color, like this one. After seeing the cathedral, we ate gallettes, a French specialty. They are like savory crêpes but more crispy. I tried one filled with sausage from Brittany, Dijon mustard (with much more horseradish than the American version of Dijon mustard!), and cheese. I also tried one with ham, egg, and Camembert cheese.
We got into Paris late that night, and I got to see the Eiffel Tower and the Arc de Triomphe lit up as we drove into the city. The next day we picked up the second car and started the drive back to Holland. I was a little uneasy driving in Paris, and for good reason! At least I didn't have to deal with unbelievably narrow medieval cobblestone streets like you have in many European cities. Even in the center of Paris there's aren't many of those since Emperor Napoleon III bulldozed them in the nineteenth century. Leaving Paris, we drove through little towns, past crops, fields of grass, and fields with yellow flowers, and then we stopped at the Cathedral of Notre-Dame de Soissons.
A friend of mine who is a doctoral student in French Gothic art and architecture specially recommended Soissons to me. It is a beautiful cathedral, and, as she pointed out, the walls are made of some kind of stone that almost seems to glow in the sun.
The nineteenth-century Gothic-Revival author, Chateauxbriand, compared the soaring piers and colored light of French cathedrals to a deep forest. When you enter one of these buildings, it does feel like you have stepped into the grandeur of a forest, especially with the purple and blue stained glass, like the evening light and shadows in the woods.
Vaulted side aisles. After leaving the cathedral, we ate gallettes again and also a chocolate and almond crêpe.
Not far from Soissons is Laon. The medieval heart of the city is tightly packed with stone buildings, narrow streets, city squares, and crooked alleyways--all winding their way up a hill to the massive Cathedral of Notre-Dame de Laon. We walked around the back of the cathedral first. Here are the heavy towers on the western front, near the entrance portals.
And here is the facade of the Cathedral of Our Lady of Laon.
I learned to tell Laon Cathedral from the other Gothic cathedrals by looking for the stone oxen that gaze down from the towers. No one is completely sure why these oxen decorate the church.
The sculptures surrounding the entrance portals has been heavily restored--no traces of medieval paint here! I think this is Abraham about to sacrifice Isaac, and holding him by the hair!
And here is a hippopotamus gargoyle!
As with most Gothic cathedrals, only a little of the original stained glass has survived. As a result, the interior is well illuminated with white light.
I'm very proud of this picture. It is the eighteenth-century altar screen cordoning off the choir from the rest of the church with the eastern rose window in the background. The secret to getting great photographs is to take pictures in Gothic cathedrals! You can't help but have fabulous photos!
The high altar.
The elevation of the side walls rises in four tiers.
The side aisles.
This is the cloister adjoining the cathedral. The canons of Our Lady of Laon once walked this corridor on their way to the altar to pray the daily offices.
It was a good five hours from Laon back home. I listened to the radio in French, then in Flemish, and finally in Dutch! We stopped in the southern, French-speaking region of Belgium to walk around a little. The gas station looked out on this field of cows. I was so grateful that I didn't have a problem getting sleepy for the drive--at least not for most of it! For the last half hour I had to open all the windows and turn the volume way up on the radio--blaring Baroque music on the Dutch highways late at night!
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